One Hundred Twenty-One Days Page 12
RUE DELAMBRE. Because Delambre was an astronomer. Lots of astronomers have streets named after them in this arrondissement. And the Jewish astronomer who was still working at the Observatory when M. talked to Kürz about it in June of 1942? He died at Auschwitz a year later. I must confess that at this exact moment, I can’t remember his name. It’s a tiny ripple of “the irresistible tide of forgetfulness” that the philosopher Jankélévitch spoke about. That overwhelms everything. Despite the ceremonies filled with grandeur and emotion, with brass bands, military parades, and flags, like the one for M.’s one-hundredth birthday, then, three years later, perhaps without fanfare, for his funeral at the church of Saint-Louis des Invalides, almost eighty years after his marriage at Saint-Philippe-du-Roule. The Croix de Guerre and the Grand Croix of the Légion d’Honneur, this time on the coffin, official figures, speeches, flags. The Association of the Former Students of the École Polytechnique was present, Pierre told me. Once more, M. was treated better than Gorenstein. It’s definitely too late, I’m definitely too close to my place now to get a bus. I keep walking down the boulevard.
Now, opposite the CIMETIÈRE MONTPARNASSE. Cemetery to cemetery, poet to poet… Here rests Robert Desnos, the night watchman of the Pont-au-Change, another Robert le Diable. He died, too, “there where our century’s destiny bleeds”… How beautifully put, words again, an exquisite formulation for the unspeakable. I pass the building where Louis Klein lives, the man who told Mireille Duvivier about André Silberberg’s death in 1945, he who shared a corner of a freight car with André and who later wrote a dreadful little book, in which he simply described what happened. I had come here to see him, along with Pierre Meyer, whom I had picked up from the other side of Paris. I brought my notebook, like always. He was handsome, cheerful, and courteous. He was ninety-two years old. He showed us the pale blue number on his forearm. A bit stupidly, I wrote this number down. He told me, “Yes, André Silberberg, I remember him, of course. But is he dead?” We caused him to suffer by telling him about André Silberberg’s death and the terrible conditions in which it happened. Which we knew from his own mouth, from the book he wrote. He started singing us a song by Schumann,
Das Lied ist aus
Auch ich möcht mit dir sterben
“The song is over / I would also like to die with you.” A poem by Heine, once again. Then, interrupting himself: “but what were we talking about? André Silberberg, yes, of course, I remember him very well. But is he still alive?” The irresistible tide of forgetfulness had already overwhelmed him. I closed my notebook, I stopped my recorder, and we stayed there, Pierre and I, talking with him.
I come to the PAVILLON DE LA BARRIÈRE D’ENFER. Where the entrance to the catacombs is located. It’s already late, visiting hours are over, the usual line of tourists has dissolved.
I read the plaque at the PLACE DU COLONEL-ROL-TANGUY. And I think about all these plaques, about Roger Connan, about the unknown member of the FFI, about Danielle Casanova, about Pierre and the liberation of Paris, about Mireille and the Hotel Lutetia, about the innumerable names who will never have a story other than that of their disappearance. And about Pierre’s great-grandson, about the children who play on the statues in the Tuileries gardens, about my daughter. In front of my house, I punch in the code, another number, I climb the six floors, I open the door. Inside, no one is waiting for me: it’s not Wednesday, it’s not spring break, and my daughter, my best beloved, is at her mother’s. I take off my shoes covered with the dust of the Tuileries paths, I sit down at my table, facing the window and Paris, I make a little space amongst my mess, I push a red binder and some blue and gray notebooks full of notes out of the way, I open a pad of lined paper, and, with “desperate but intermittent protestations of memory,” I start to write:
Once upon a time, in a remote region of a faraway land, there lived a little boy.
SUPERNUMERARY CHAPTER
(PARIS-STRASBOURG, 2009-2013)
As one of its characters rightly says, this book is a novel, a work of fiction. Its characters are imaginary. Any resemblance to real persons, living or dead, is purely coincidental or due to the permanence of human behavior.
The names of some of these characters have been taken from (or inspired by) various books, including THE LILY OF THE VALLEY (Honoré de Balzac), A GALLERY PORTRAIT and W OR THE MEMORY OF CHILDHOOD (Georges Perec), THE COUNT OF MONTE CRISTO (Alexandre Dumas), and THE MASTER AND MARGARITA (Mikhail Bulgakov).
The book cites, uses, or evokes a certain number of other works, not always explicitly mentioned, including (in alphabetical order and with the corresponding chapter numbers) AFTER A READING OF DANTE (Franz Liszt) – VII; ALMANSOR (Heinrich Heine) – X; APRIL IN PARIS (Vernon Duke & E.Y. Harburg) – XI; CHANSON DE CRAONNE (Anonymous) – II; CHANSON DE L’UNIVERSITÉ DE STRASBOURG (Aragon) – VIII; COMPLAINTE DE ROBERT-LE-DIABLE (Aragon) – XI; CONVERSATIONS IN EXILE (Bertolt Brecht) – IV; DE L’UNIVERSITÉ AUX CAMPS DE CONCENTRATION – TÉMOIGNAGES STRASBOURGEOIS (collective) – VII, VIII, IX; DICHTERLIEBE (Heinrich Heine) – VIII; DOCTOR FAUSTUS (Thomas Mann) – V; FANTASIA K475 (Mozart) – IV, VIII, IX; FAUST (Goethe) – VII; FORCE OF CIRCUMSTANCE (Simone de Beauvoir) – XI; FOURTEENTH SONATA, QUASI UNA FANTASIA (Beethoven) – X; GRETCHEN AM SPINNRADE (Goethe) – VI; IF (Rudyard Kipling) – I, II; JOURNAL (André Gide) – II; JOURNAL DE GUERRE (Ernst Jünger) – V; JUST SO STORIES (Rudyard Kipling) – I, XI; LA CROIX DE BOIS (Paul Harel) – II; LA ROSE ET LA RÉSÉDA (Aragon) – XI; LES ÉTUDES ET LA GUERRE (Stéphane Israël) – X; LES NOMBRES REMARQUABLES (François Le Lionnais & Jean Brette) – VII, IX; ON THE NATURAL HISTORY OF DESTRUCTION (W. G. Sebald) – VII, IX; PAINTING AT DORA (François Le Lionnais) – VII; PARIS DANS LA COLLABORATION (Cécile Desprairies) – V, XI; PÈRE GORIOT (Honoré de Balzac) – XI; POEMS (St. Thérèse of Lisieux) – II; ROBERT LE DIABLE (Meyerbeer) – III; SHOULD WE PARDON THEM? (Vladimir Jankélévitch) – XI; SURVIVAL IN AUSCHWITZ (Primo Levi) – VIII; THE CHARTERHOUSE OF PARMA (Stendhal) – VIII, IX, XI; THE DAMNATION OF FAUST (Hector Berlioz) – II; THE DIVINE COMEDY (Dante) – VII, VIII; THE DROWNED AND THE SAVED (Primo Levi) – IX; THE LIGHTS GO DOWN (Erika Mann) – VI; THE LOST ONES (Samuel Beckett) – VII; THE MASTER AND MARGARITA (Mikhail Bulgakov) – III, VI; THE NIGHT WATCHMAN OF PONT-AU-CHANGE (Robert Desnos) – VIII, XI; THE ODYSSEY (Homer) – VII; THE TWO GRENADIERS (Heinrich Heine) – I, V; THE TWO GRENADIERS (Heinrich Heine & Robert Schumann) – XI; TROILUS AND CRESSIDA (Shakespeare) – II; UN DÉPORTÉ BRISE SON SILENCE (Robert Francès) – VII, VIII, IX; UNE HISTOIRE MODÈLE (Raymond Queneau) – VII.
Thank you to all the authors of all these works, but also to Sébastien Balibar, Anne F. Garréta, Pierre Lévy, Sylvie Roelly, Olivier Salon, Norbert Schappacher, and Simone Weiller. Thanks to their help, this book could be written. It was composed mainly in Strasbourg and Paris, from October 2009 to September 2013.
Various places are mentioned (in alphabetical order): Africa, Aix-la-Chapelle, Alexandria, Alsace, Ardennes, Athens, Atlantic (ocean), Auschwitz, Bangor, Belgium, Berlin, Boston, Brittany, Buchenwald, Cambridge, Canaries (islands), Chartres, Chatou, Chemin des Dames, Clermont-Ferrand (Place de Jaude), Cologne, Digne, Dora, Douaumont, Drancy, Dresden, Europe, France, Fribourg, Germany, Hamburg, Holland, Istanbul, Italy, Kursk, Le Chesnay, Lodi, London, Lyon, Marseilles, Mediterranean (sea), Metz, Mexico, Midwest (American), Milan, Monowitz, Montluçon, Morocco, Moscow, Munich, N. (Goethestrasse, Humboldtstrasse, Marienfriedhof, Marktplatz, Schillerstrasse, the university), Nevers, Normandy, Oxford, Padua, Paris (Arc de Triomphe du Carrousel, Arc de Triomphe de l’Étoile, Rue d’Artois, Rue du Bac, Rue Blanche, Rue Caulaincourt, Avenue des Champs-Élysées, Pont au Change, Lycée Chaptal, Rue de Chateaudun, Rue de la Chaussée-d’Antin, Rue Claude-Bernard, Boulevard de Clichy, Place du Colonel-Rol-Tanguy, Avenue de la Croix, Rue Danielle-Casanova, Rue Dante, Rue Delambre, Square d’Estienne-d’Orves, Avenue Dubuisson, Place de l’Étoile, Avenue Foch, Avenue du Général-Lemonnier, Boulevard Haussmann, Avenue Hector-Berlioz, Invalides, Ave
nue d’Italie, Rue Lagrange, Lycée Louis-le-Grand, the arches of the Louvre, Hotel Lutetia, Jardin du Luxembourg, Gare de Lyon, Hotel Majestic, Rue de Médicis, Rue de Ménilmontant, Rue Meyerbeer, Montmartre Cemetery, Montparnasse Cemetery, Gare Montparnasse, Rue Notre-Dame-des-Champs, Avenue de l’Opéra, Palais-Royal, Père-Lachaise Cemetery, Rue Pierre-Curie, Avenue Principale, Rue des Pyramides, Avenue Rachel, Hotel Raphael, Boulevard Raspail, Rue du Rohan, Pont Royal, Rue Saint-Dominique, Saint-Germain-des-Prés, Rue Saint-Jacques, Boulevard Saint-Michel, Saint-Philippe-du-Roule, Place Saint-Sulpice, Place de la Sorbonne, Rue Soufflot, Les Tourelles camp, Trocadéro, Jardin des Tuileries, Impasse de Valmy, Carrefour Vavin, Rue Véron, Rue du Vieux-Colombier), Petrograd, Poelkapelle, Poland, Russia, Saint-Maurice, Saint-Nazaire, Senegal, Sigmaringen, Spain, Strasbourg (Palais Universitaire, Vauban Stadium), Switzerland, Troy, United States, Upper Silesia, Vallorbe, Verdun, Vichy, Vienna, Warsaw, Weimar, Wölfersheim, Ypres.
INDEX OF PROPER NAMES
AAlexander: 146
André, see Silberberg (André)
Apfeldorf (Ernst von): 83-84, 91, 93, 135-137
Apfeldorf (Frau von): 84, 135-136
Aragon (Louis): 102, 147
BBach (Johann Sebastian): 114
Balzac (Honoré de): 153
Bamberger (Simone): 114, 117
Beauvoir (Simone de): 153
Beckett (Samuel): 94, 120-121
Beethoven (Ludwig van): 69, 122, 135, 137
Bergamotte (Doctor): 34, 36
Berry (Jules): 93
Besson (Berthe): 142
Besson (Christiane), see Mallet (Christiane)
Besson (Jean): 142
Besson (Marie): 39, 72-75, 142
Besson (Marie-Claude): 142
Billotte-Yersin (Catherine): 63, 144
Blank (Leutnant Doktor): 64-65
Bonaparte (Napoleon): 122, 146, 149
Bonnard (Abel): 70
Breker (Arno): 70
Brisson (Major de): 16, 19, 23-24, 29
Brueghel (Pieter): 94
Bunsen (Robert): 82
Busoni (Doctor): 100, 112
CC. (Georges): 70-71, 78, 152
Caesar: 146
Carabosse (fairy): 23
Carmo: 46
Casanova (Danielle): 149, 155
Céline (Louis-Ferdinand): 152
Christian, see M. (Christian)
Churchill (Winston): 101
Clara, see Silberberg (Clara)
Cocteau (Jean): 70
Connan (Roger): 151, 155
DDanglars (André), see Silberberg (André)
Daniel (Andrée): 129, 142, 145
Dante: 24, 59, 67, 93-94, 101, 111, 116, 118, 120
Debalme (Doctor): 18-19
Delambre (Jean-Baptiste): 153
Desnos (Robert): 101, 114, 154
Dreyfus (Alfred): 25, 152
Dubois (Anne): 39, 72-73, 142
Dubois (Patrick): 142
Dubois (Pierre-Marie): 142
Durenberger (Françoise), see M. (Françoise)
Duvivier (Claude): 38, 40, 42, 98, 106, 116
Duvivier (Mireille): 40, 42, 46, 59, 98-120, 122, 126, 129, 132-134, 147, 151-152, 154-155
Duvivier (Nicole): 32, 35-36, 38, 40, 42, 46, 98-101, 112, 115, 120, 134
EEpting (Karl): 70
Estienne d’Orves (Honoré d’): 147
Euler (Leonhardt): 119
FFaust: 135
Feinstein (Madeleine): 114, 117
FFI, unknown member of: 151, 155
Fried (Maurice): 67, 153
Friedrich (Doctor): 83, 92
GGambetta (Léon): 38
Gaulle (Charles de): 101, 103
Gauss (Carl-Friedrich): 82
Goethe (Johann Wolfgang von): 37, 58, 94, 101
Goldbach (conjecture of): 47
Goldstein (Roger), see Gorenstein (Robert)
God: 13-14, 28, 129
Gorenstein (Cécile): 32-33, 35, 42, 49
Gorenstein (constant of): 44, 120
Gorenstein (Monsieur): 35
Gorenstein (Madame): 35
Gorenstein (Nicole), see Duvivier (Nicole)
Gorenstein (Robert): 14-16, 19, 24-25, 27, 31-38, 42-44, 46-49, 65, 77-78, 100, 112, 115, 119-120, 123, 126, 133, 147-148, 154
Gorenstein (theorem of): 44
Göring (Hermann): 131
Gustav August (prince): 84
Guynemer (Georges): 32, 121
HH. (Monsieur): 32-33, 35, 42
H. (Madame): 31-33, 35, 42, 122
Heine (Heinrich): 8, 70, 101, 103-104, 119, 122-123, 140, 145, 155
Hermann (Bernhardt): 61, 140–141
Hermann (Charlotte): 61, 75, 83-84, 134-135, 137, 141
Hermann (Wilhelm): 91, 134-136, 141
Hitler (Adolf): 47, 53-54, 71, 105
Homer: 94
Humboldt (Alexander von): 82
JJankélévitch (Vladimir): 153
Janvier (Albert): 16, 20, 24-25, 27, 30, 73
Janvier (Alphonse): 29
Janvier (Madeleine): 14, 16-18, 21, 24-25, 28, 30, 73
Janvier (Marguerite), see M. (Marguerite)
Janvier (Thérèse): 17-18, 25, 28-29, 34
Jaurès (Jean): 40, 43
Jesus: 24, 28
Jünger (Ernst): 62, 65, 77
KKant (Immanuel): 82
Karajan (Herbert von): 74
Kerensky (Alexander): 33
Kipling (Rudyard): 20
Klein (Louis): 112-113, 121, 130, 144, 154
Köchel (Ludwig von): 122
Kristoff (Kirill): 85
Kürz (Charlotte), see Hermann (Charlotte)
Kürz (Frau): 61, 84, 135, 137
Kürz (Heinrich): 55-59, 61-64, 66, 69-70, 74, 76, 79, 83-84, 86, 90-91, 93, 120-121, 125, 134-137, 141, 144, 146, 148-149, 152-153
LLagrange (Joseph-Louis): 67
La Martinière (Father de): 15, 29
Langlois (Guy): 72, 142
Langlois (Jean): 142
Langlois (Luc): 142
Langlois (Marc): 142
Langlois (Mathieu): 72, 128, 142
Langlois (Paul): 142
Langlois (Pierre): 142
Langlois (Thérèse): 34, 39, 72, 74, 128, 142
Leclerc de Hauteclocque (Philippe): 97
Legendre (Adrien-Marie): 86
Le Lionnais (François): 75, 94
Lenin (Vladimir Ilyich): 33
Liszt (Ferenc): 94
Lotte, see Kürz (Charlotte)
Lubin (Germaine): 74
MM. (Anne), see Dubois (Anne)
M. (Antoine): 142
M. (Bernadette), see Meyer (Bernadette)
M. (Christian): 5-11, 18-30, 39, 45-46, 51, 55-56, 63-75, 77-78, 85-86, 89-93, 106-107, 119-121, 123, 125-129, 138, 141-144, 147-148, 150, 153-155
M. (Françoise): 142
M. (Georges): 142
M. (Ignace): 39, 72-74, 127-129, 142, 145
M. (Jean-Baptiste Ignace): 6-7, 9, 29, 39
M. (Marguerite): 13-30, 34, 39, 45, 72-75, 119-121, 126, 129, 147-149, 152-153
M. (Marie), see Besson (Marie)
M. (Marthe): 39, 72-75, 127, 129, 142-143
M. (Thérèse), see Langlois (Thérèse)
M. (father): 5-7, 9, 23, 29, 127-128
M. (mother): 5-7, 9, 23, 29, 127-128
Madeiros (Celestino): 41
Mallet (Christiane): 142
Marguerite, see M. (Marguerite)
Mary (Virgin): 17, 29
Meyer (Andrée), see Daniel (Andrée)
Meyer (Bernadette): 34, 39, 45, 72-74, 126-129, 138, 142, 148
Meyer (Nathalie), see Meyer-Lemaire (Nathalie)
Meyer (Pierre): 34, 39, 45-46, 49, 51, 125-127, 129-130, 132, 134, 138, 142, 144-148, 150-152, 154-155
Meyerbeer (Doctor): 35, 42-43, 46-48, 100, 110, 112-114, 120, 130, 148
Meyerbeer (Giacomo): 148
Meyer-Lemaire (Nathalie): 129, 142, 145-146
Mises (Richard von): 48
Monod (René),
see Gorenstein (Robert)
Mortsauf, Mortaufs, Motfraus, Morstauf, Morfaust, Mortfaus, see M.
Mozart (Wolfgang Amadeus): 52, 114, 116, 122
Müller (Lieutenant): 78–79
NNadault (Émile): 66
Nadault (Hélène): 66
OOllier (François): 70-71, 131
Our Lady of Lourdes: 29
PPainlevé (Paul): 47
Pariset (Henri): 51-52, 54-57, 76, 106-109, 113-114, 126, 132, 134
Pariset (Louis): 114
Pershing (John): 31
Pétain (Philippe): 105, 112
Petrarch (Francesco): 101
Pierre, see Meyer (Pierre)
QQueneau (Raymond): 94
Quesnay (Pierre): 75-76
Quesnay (René): 75-76
RRaffke (Hermann): 61, 141
Ranvier (Gabriel): 75-77
Reisky (Samuel): 132-133
Riemann (Bernhard): 82
Robert, see Gorenstein (Robert)
Rodin (Auguste): 153
Rol-Tanguy (Henri): 97
Roth (Daniel): 57-59, 93, 105, 111, 113-114, 116
SSacco (Nicola): 41, 120
Saint Christopher: 26
Saint John of the Cross: 23
Saint Marguerite: 152
Saint Theresa of Avila: 23
Saint-Bonnet (Jacques de): 19, 22
Saint-Bonnet (Paul de): 21-22, 25-26, 29-30
Schiller (Friedrich von): 82, 101
Schlag (Frau): 137
Schmitt (Marcel): 58, 93, 105, 111, 114
Schreiber (Emil): 85, 91, 149
Schumann (Robert): 154
Shelley (Percy Bysshe): 24
Silberberg (André): 46, 49, 51-59, 65, 76-78, 91, 102-122, 125-126, 130, 132-133, 144, 149, 152, 154-155
Silberberg (Clara): 51-53, 102, 104-105, 107-108, 113-115
Silberberg (father): 51-53, 102, 104-105, 107, 111, 113
Silberberg (mother): 51-53, 102, 104-105, 107, 111, 113
Slawek (Stefan): 91
Smith (Barbara): 134
Smith (Harold): 91, 134, 136-137, 140
Sonntag (Doctor): 53-54, 58, 109-113, 121, 130
Spankerfel (Karl Ludwig): 82, 85-86, 139
Stefi: 83, 85
Stendhal: 146, 153
TTiedemann (Frau): 86, 91-92, 135, 137, 149
Tiedemann (Gustav): 68, 84-85, 91-92, 128, 135-136, 149